In case you haven’t heard or noticed, it’s cold.
Fortunately, in New York City, there is no shortage of ways to thaw out when the mercury dips below the freezing mark. Though Starbucks has pretty much taken over the city, there are still plenty of cool independent coffee shops downtown, serving up steaming hot beverages. Theaters are great places to cuddle up. And if you’re really, really cold, you can try to do what I did yesterday, which is to sit in front of a 2,000-degree furnace full of molten glass.
Yesterday was open house day at UrbanGlass, which is a very large glassworking studio in an unassuming building on Fulton Street in downtown Brooklyn. During open houses, staff members take the public on free guided tours of the facility, which includes areas for making glass beads, neon signs, lamps, mosaics, fused pieces, stained glass panels, sandblasted pieces, and, of course, blown and kilnworked glass. Each tour concludes with a glassblowing demonstration by professional artists in the very toasty “hot shop,” where the furnaces and glory holes (or superheated gas chambers, used to keep the glass hot while manipulating it) are located.
The tour was a very warm, and yet very cool, way to spend a Saturday afternoon. I learned so much about glassworking, and the studio environment made me feel creative; I sort of want to take a class at some point in the future, though UrbanGlass’s education programs are, at least for the time being, pretty far from fitting into my budget. Maybe I’ll return sometime for a weekend workshop when I have a little money to spend, and make a paperweight or a mug. There’s something so appealing about the idea of making a functional object completely from scratch, from raw — and super-hot — materials.







